Saturday, March 31, 2012

Youth Lagoon Live

I had the chance to see Youth Lagoon last Tuesday, March 27th, at the Bowery Ballroom. The band is the outlet of one individual, 23-year-old Trevor Powers, and his debut album The Year of Hibernation was released in 2011 to critical acclaim (it made Pitchfork's list of the Top 50 Albums of 2011).

The album itself is dreamy, ethereal and harrowing. Powers' voice is unique, and he howls over the music with passion. The lyrics are melancholy, according to interviews he wrote the music in the wake of a breakup and through his struggles with chronic anxiety. The album was made using a drum machine, keyboard, guitar and vocals, and the live show was no different.

I walked into the Bowery at 9:15pm not knowing what to expect. My ignorance was confirmed by the poster on the entrance wall that read "Dana Buoy 9:30pm. Youth Lagoon 10:30pm." There was an opener?! And Youth Lagoon won't be on until 10:30?! My girlfriend and I hung out at the bar downstairs and met up with a couple of friends who happened to be going to the show. We headed upstairs at 10:15, after the opening act was done.

Now, I love The Year of Hibernation. I listen to it on my morning commute often. The dreamy tone and delicate music is perfect for those mornings when I'm too tired to be listening to something heavy. But, I had no idea how the sound would translate to a live venue. Powers' voice on the album seems almost impossible to replicate in person. And how many people would be on the stage with him? How would those soundscapes be created?

Well, pleasant surprise, it was perfect. Powers' had only a guitarist with him and sat behind his keyboard and drum machine. His voice sounded as good as it does on the album. Each song built from a fragile melody over keyboard and guitar into an intricate swell of energetic sound accompanied by a powerful rhythm from the drum machine. He played every song off of the debut album and the audience seemed captivated the entire show. Everyone I was with was extremely impressed, and I agreed, the show was awesome.

Here's a video of the song "Cannons" that my girlfriend took using her iPhone:


After the show I couldn't help but thinking about the future progression of Youth Lagoon's career. After the excellent debut album and a great live show, I'm very excited for what Powers will produce next. There's certainly room to grow in his musical career and he seems to have a firm grasp on the type of music he wants to create. One or two albums in the future, plus a few turns in the right direction, and Powers can be a musical force.

While waiting on the line to get our coats, I overheard someone talking to their friend about the show. He said something like, "I'm always hesitant to fully enjoy the music at a concert where the person isn't playing actual instruments or there isn't a full band. It seems less authentic or just not as impressive or good." I didn't wait for the person he was with to respond before I proclaimed to my girlfriend that I disagree and it's a shame that people still feel that way. I think this is a popular thought among the older crowd or fans of classic/alternative rock. I'm a fan of it all. 

First of all, Powers still needs to have the talent, vision and work ethic to perfect the rhythm of the drum machines and create all those soundscapes, all while singing. Second, the technology in the world now that allows a single person to create such rich and complex music needs to be embraced. There's a beauty in it just the same, and Youth Lagoon's music seems the perfect example of that. 

That's the way I feel. I'm just thankful I have the ability to thoroughly enjoy all types and styles of music.  

Friday, March 30, 2012

I Can't Go For That

I love Hall & Oates. Their own brand of "Rock and Soul" is highly enjoyable. The song writing duo perfected the art of strong hooks and melodies combined with new wave and hard rock elements. They're responsible for countless chart-topping hits. They were featured in Yacht Rock. Hall & Oates are awesome, there's no way around it.

There's been a video makings rounds on my Facebook news feed that I had to share. It's the brilliant combination of mobile vehicle acoustics, a bluegrass/country band, and of course, Hall & Oates.


Too cool. Nikki Bluhm and the Gramblers do a great job. This is the type of video that makes my day a little brighter. Follow the link above to their website for other acoustic van session videos, including a cover of Madonna's Material Girl.

Sidenote: Also check out Live from Darryl's House to see some great collaborations between Darryl Hall and other popular artists. Hall & Oates explosion!

Vinyl I've Purchased

I can measure how much I like an album by how much I want to buy the vinyl. The "Vinyl I've Purchased" distinction is reserved only for albums I absolutely love. With that said, I just placed an order with Insound.com (a great website if you don't know it) for two records:


Tanlines - Mixed Emotions 


The full-length debut album from Tanlines, made up of Jesse Cohen and Eric Emm, is truly impressive. They began making music four years ago and seemingly have been crafting this album for a long time. I was informed of the release about a month ago from my friend Renata, made a playlist on Spotify, and was immediately in love with the first track, Brothers. From there the album doesn't waiver, but continues to deliver delightful, dance-able pop, song-after-song.

This is do-it-yourself electronic pop at its best. The time put into its development is evident. The entire album is focused and diverse. The two members play multiple instruments and put out enticing beats and beautiful, catchy melodies and hooks. I sense 80s and world-music influences, reminiscent of Yeasayer's best songs, but slightly different with a lush and profound thickness to their sound. It's unique and refreshing, and particular to a popular genre at the same time.

Listen to this album from start to finish, with the volume cranked up. I personally love listening to electro-pop on my headphones, and this ablum is a rewarding experience.

Record Highlights: Brothers, All of Me, Real Life, Cactus


Phantogram - Nightlife 


I've been a fan of Phantogram from their first album, Eyelid Movies, so I was very excited when I saw they released an EP with tracks that are most likely going to be used on their second full-length album. Then I heard the song "Don't Move" and immediately went and purchased the vinyl online. Wow, that song is amazing and heavy, and possesses all the qualities I love about Phantogram, but more refined.

Comprised of six total tracks, this EP finds Phantogram at the peak of their capabilities. The electronic rock/indie pop that the duo of Sarah Barthel and Josh Carter produces is intoxicating. It's part psychedelic pop, with Sarah's lead vocals reverberating through the beat and Josh's background vocals floating above the melodies. It's part hip hop, with strong beats that create hypnotic rhythms and set the tone for the synth and electronic melodies. And it's part shoegazing, with a wall of sound and some slight distortion and a strong urge to bob your head while listening.

If this EP is any indication of where Phantogram is headed, then the music world is in for quite a ride. This band does a lot of touring and I can't wait to see them live next time they come around. Until then, I'll be spinning this vinyl.

EP Highlights: Don't Move, Nightlife, 16 Years